Garden sculpture

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Spring is springing and the Easter holiday is nearly here – It is the season when people’s thoughts turn to their gardens. I am having a little publicity push on Garden sculpture commissions. I have been working on headstones all winter and although I like making memorials, as the sun begins to warm the earth, I feel the need to make some celebratory work. As we approach Good Friday, I reflect that my work through the winter has been focused on the theme of death. Easter Sunday is nearly here and I am looking forward to making some work which celebrates life.

If you would like to commission a sculpture or inscriptional art work for you garden please get in touch.

Garden_Sculpture_postcard_US

Cam Valley Arts Trail

I am taking part in the Cam Valley Arts Trail this weekend. It is a really well organised event with twelve studios and shared exhibition spaces, and a program of workshops and demonstrations. The venues are located in the villages spread along the Cam Valley, south of Bath. Check out the website for further information. My studio will be open for visitors from 11.00am to 5.00pm on Saturday and Sunday. I have had a good tidy up and assembled an exhibition of sculpture and lettering pieces. I shall be working on carving an alphabet too during the weekend.

Cam Valley Arts Trail Poster

Cam Valley Arts Trail Poster

CW2. Painting and finishing touches.

This week’s progress report has seen me painting the letters, and inlaying the brass acorns. Why paint those beautiful letters I hear you ask?

Painting

Painting!

Well, when the sunlight falls across v inscribed letters they stand out really nicely, but this is England and on a dull day in November the contrast can be a little too low to reveal the letters at their best. So I have painted them the same colour as the stone, but a tone darker than the stone when it is dry and a tone lighter than the stone when it’s wet, adding just enough contrast to help with legibility when the light is rubbish. The paint is made by the German manufacturer Keim, and it is micro-porous, very hard wearing and has a sympathetic mat finish. This sensitive choice of colour should weather sympathetically as the marker ages too. A big thank you to Theresa Llewellyn who helped me paint 3 coats into 409 letters, thus keeping me sane!

Finally finished and ready to go.

Finally finished and ready to go.

The Marker is finished and ready for installation on Thursday. I don’t feel like I can fully relax until it is safely installed. I am looking forward to seeing it in position in its wonderful site in front of the historic Market Hall in Chipping Campden. It really is a lovely intimate space..

The brass acorn glinting in the sun.

The brass acorn glinting in the sun.

CW2. Now the light falls…

I became bored of counting every letter and every hour. I seemed to suck some of the joy out of it. So this week I have tried to cultivate a more relaxed attitude. If you are interested I have carved about 70%. More or less on target. I took a few pictures as the autumn sunshine reached into the workshop and spilled over the stone.

62%. In afternoon sunshine

62%. In afternoon sunshine

 

Light falls across the field of letters

Light falls across the field of letters

The images relate beautifully to the T S Eliot quote around the outer edge. Text, image, light and letters finding a poetic synergy.

Now the light falls...

Now the light falls…

I was really pleased to have found this quote, as it seems to vividly capture the experience of the Cotswold landscape.

Now the light falls

Across the open field, leaving the deep lane

Shuttered with branches, dark in the afternoon

T S Eliot. “East Coker”, from the “Four Quartets”